Work > Prints
Printmaking has always felt very easy and exciting. A direct graphic medium that focuses my intuition and all over mark making. I once turned down a place on the Slade’s MA Printmaking Course because I thought print was an ancillary activity. This was incorrect; the processes you enjoy using most are usually the right ones for you. Chine Collé applied as a collage/print form combines relief cut line and chromatic shifts. The Lino/Woodcut skill set have also emerged as a key component in making etched and engraved glass and Stained-Glass windows.
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Swimming into Deeper Waters I
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Walking Through the Night Garden
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Drawing Shadows in the Dark III
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Swimming into Deeper Waters II
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Glastonbury Tor, high summer
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Drawing Shadows in the Dark I
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Drawing Shadows in the Dark II
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New Spring Growth VI
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New Spring Growth VII
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New Spring Growth III
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Treeform 15, October
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Treeform 2, October
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Cargo boat to Timbuktu
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Mali Allotments
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Bedroom Window (les Bassacas)
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Sunken Lane
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To Bethlehem
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Eating Kenife in East Jerusalem